My services
Performing Arts – Film – Exhibitions – Heritage
Concept Development & Project Structuring
Production & Project Delivery
Distribution & Audience Development
Coordinating artistic and technical teams, overseeing administrative processes, supporting contractual arrangements with artists, freelancers and partners, managing day-to-day operations including schedules and logistics, and coordinating events such as performances, exhibition openings and public engagements...
Developing distribution and audience development strategies, identifying and building relationships with cultural partners, increasing project visibility through communication strategies and press relations, creating editorial materials, and supporting project evaluation and knowledge transfer...
Refining the artistic vision and strengthening the foundations of the project (artistic coherence and clarity of intent), establishing the production framework, assessing feasibility, preparing preliminary budgets, developing project timelines, and identifying potential partners and funding opportunities...

WHO AM I?
I’m Emie.
With a background in Cultural Mediation and Arts Management, I have built my career across a wide range of cultural fields : from performing arts in London to leading museum institutions such as the Fondation Louis Vuitton and the Musée Picasso, as well as audiovisual production at France Médias Monde, museum bookstore management, and the development of photography exhibitions.
These experiences have given me a broad understanding of the cultural sector and its many interconnected dimensions: production, administration, partnerships, audience development, and the economic realities that shape artistic projects.
Today, this multidisciplinary perspective allows me to support projects from their earliest stages through to their public presentation, helping creators and organisations build strong foundations while staying true to their artistic vision.
Over the years, one thing has become increasingly clear:
Artistic projects rarely lack ambition or ideas. What they often need is the right structure, strategy and support to move forward and reach their full potential. At a time when cultural projects face growing challenges - from funding constraints to institutional expectations and the need to stand out in an increasingly competitive landscape - strong production support can make all the difference.
In 2024, I chose to work independently to place myself at the heart of this process:
Not as part of a single organisation, but alongside the people who bring projects to life, helping them shape their vision, strengthen their foundations and highlight what makes them unique.








